Stage rental from PM1 is the stage, the drawing, the crew, and the engineering, delivered as one service. Concert stages, mobile stages, risers, and runways, designed to your show and your site, then built and struck by PM1 crew. Detroit, DC, Orlando, and worldwide when called.


Every PM1 stage rental includes the drawing, the delivery, the build, and the strike. The stage shows up designed to the sightlines, the camera plot, and the ground it stands on, not to whatever was on the truck.

The stage is rarely the only thing on the truck. PM1 draws the press risers, audience seating, barricade, and ground cover on the same layout, and can run the audio, lighting, and video on top of it. One layout. One load-in. One crew.
See the full build listPM1 builds six kinds of event stages. Each one is sized and configured to the show, the venue, and the shot, not pulled from a catalog.
Deck stages and mobile stages sized to the backline, the talent, and the crowd. Thrusts, wings, loading docks, and the FOH position drawn with the stage.
A Stageline SL50 through a SAM 555 or larger, with a roof, wings, and a rigging plot. Deployed from Detroit and Orlando as part of full production.
Deck stages on grass, sand, asphalt, or a grade, leveled to the ground under them, with modular ground cover where the site needs it.
Round stages, curves, wedges, and custom shapes for theater in the round, product reveals, and award shows.
Fashion runways indoors, outdoors, on uneven terrain, or over a pool, lit and wrapped to the show.
Rolling drum risers in 8' x 8' and 8' x 12', choir and DJ risers, press risers, and display platforms built to carry a car.
Every photo here is a PM1 stage, from arena floors and ballrooms to the National Mall. No stock photos.





































Lieutenant Dan Band Nationwide Tour

240' Platform with Glass Railings

Campaign Launch, National Mall DC

Mellon Auditorium, Full Production

National Building Museum, DC

Craft Food & Beer Festival
Real PM1 stages for real clients: a mobile stage on the National Mall, an esports stage on an arena floor, and ballroom staging in DC.

Mobile stage with the U.S. Capitol behind it, built, run, and struck inside the Park Service window.

Hexagonal stage platform on the arena floor in Detroit.

Main ballroom staging, built for the room and the stream.

A circular stage lit in a ballroom set for theater seating.

Fisheye shot of a stageline mobile stage roof - GSF Tampa

Indoor stage with a curved runway and side screens.

A race car on a custom riser in front of an LED screen.

Stage and LED screen set up on a stadium field.

Stage with a red roof and side speakers behind a stone fountain.
Every PM1 job runs the same five steps. One crew carries it from the first site walk to load-out.
Four questions start every job: what you're building, where it lands, scale and timeline, and what's already in motion. Scope and budget get defined before anything else does.
A site walk, then a CAD layout drawn to scale. Stage, seating, structures, cameras, power, and access on one drawing, coordinated with the venue and stamped by licensed engineers where the job requires.
The advance. Permitting, logistics, crew calls, and a load-in schedule every crew can use. This is where the show gets won.
Load-in to load-out, led on site by a PM1 production manager or structural site lead. One show caller. One show file. Doors open when every check is signed off.
A debrief and a financial review that closes the job. What worked, what could be tighter, and what the site taught us.
Stage rental at PM1 covers the design, delivery, build, and strike of the stage, priced by the build. These are the questions planners ask before they book.

Send the date, the venue, the headcount, and what's happening on stage. PM1 comes back with a drawing and an estimate.
Stage builds start at a $10K minimum investment.

Wherever you are in the build, this is where the next call goes.
Production infrastructure partner for high-visibility live events. Staging, seating, and structures for the builds that can't go wrong.
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