Event Stage Rental: Concert, Mobile, and Outdoor Stages

It depends on the size, the height, whether it needs a roof, the site, and the schedule. A ballroom deck stage and a mobile stage on a field are different builds. PM1 prices by the build: a site address, the scope of what you'd like PM1 to deliver, and a rough count of attendees are enough to start a drawing and an estimate.

Concert stages, mobile stages, portable deck stages, outdoor stages, round and custom shapes, runways and catwalks, automobile stages, and risers. Each one is drawn to the show, the venue, and the shot, not pulled from a catalog.

It depends on the program, the backline, the talent, and the shot. PM1 works from your stage plot or run of show and draws the stage to fit, with room for performers, gear, and camera lines.

High enough that the back row and the main camera both see over the crowd. For corporate events, 18 inches works in small rooms and 24 to 36 inches covers most ballrooms. Outdoors, about 60 inches is typical, 48 inches suits intimate stages, and large modular stages run 8 feet and up. When the back of the room gets too far for a stage alone, PM1 recommends raising the audience on a grandstand or tiered audience riser, with large IMAG screens.

Yes. Portable deck stages are built from standard 4' x 8' decks to any size, indoors or out, with stairs, rails, skirting, and ADA ramps or lifts as an option.

Yes. PM1 checks the ground on the site walk and levels the stage to the surface, with modular ground cover on mud, sand, or park land where the site needs it.

A deck stage is built from platforms to the size and shape the show needs, indoors or out. A mobile stage, such as a Stageline SL100 or SAM575, arrives on a trailer and deploys with its own roof and wings, which suits outdoor concerts and festivals.

Yes. Curves, wedges, thrusts, and rounds, drawn in CAD to the room and the sightlines. The 22.5' round stage splits into two half-rounds, which also work as thrusts off a main stage.

Yes. Rolling drum risers in 8' x 8' and 8' x 12', choir and DJ risers in custom deck sizes, press risers, and tiered audience risers that raise the room when the back rows sit too far from the stage.

Yes. PM1 can run the audio, lighting, video, power, and comms on top of the stage from one plan, with one crew and one load-in.

Yes. PM1 crew delivers, builds, and strikes every stage, with a PM1 lead on site. The crew that built the stage is the crew that knows it.

Steps, handrails, and guardrails are drawn into the layout from the first site walk. Roofs, towers, and anything elevated get engineering stamped by licensed engineers where the job requires it.

Yes. PM1 draws ADA access into the stage layout from the first site walk, with a ramp or a lift chosen for the stage height, the footprint, and the site. The route to the stage, the handrails, and the landing all go on the same drawing.

As early as you can. The drawing, the engineering, and the permits all improve with runway. Thirty days is ideal, and during peak season 60 days or longer gives you certainty. Some jurisdictions require 30 days from permit submittal to event date. PM1 can deliver inside five days when it has to, but that isn't ideal.

PM1 builds stages from its bases in Detroit, Orlando, and the DC metro, and works nationwide and worldwide when called.

Three things: where the stage lands, what you'd like PM1 to deliver, and roughly how many people are coming. A stage plot or run of show helps, and a drawing and an estimate can start without one.